Smashing Pumpkins may work on new studio material in August 4:56 pm // Sunday, July 1, 2012Posted by susan in billy corgan, interview, news, oceania, teargarden by kaleidyscope, thefutureembrace, zeitgeist.
Bill Palmer of Beatweek Magazine has published a wide-ranging new interview with Smashing Pumpkins frontman Billy Corgan. In the interview, Corgan discusses the dynamics of the current Smashing Pumpkins lineup, their plans for future recordings, and how the Pumpkins’ reissue project has influenced their live performances, among other topics. Below are three excerpted quotations.
I think in that way I’ve never made a bad album. I would say the album that was the least fulfilling of its potential was Zeitgeist…I think every other album was in the range of its potential as an A or a B. I wouldn’t necessarily rate Zeitgeist as a C, it just didn’t hit its potential and it kind of got lost somewhere along the way in the process. Some of the best songs are in the demos that didn’t get recorded and that kind of shit. I think it’s up there, but I also think it has to do with familiarity. There’s a certain ring here that people are comfortable with, and I’m okay with it or obviously I wouldn’t have put it out. But I think TheFutureEmbrace was a great album, and it was completely overlooked, my solo album. Over time now, over the last seven years, now people are starting to really get into it because it’s got a bit of a visionary aspect to it. So again, what was the point of the album? The mainstream always assumes that every album you’re throwing yourself out there with your bust, and I’m not that type of artist. I pick my spot and I go for that spot, and I rate it on whether or not I hit my spot.
Of the first Teargarden by Kaleidyscope songs, Corgan says that “I think there were ten official Teargarden releases. In those ten there was at least two or three really good songs.”
On the future of Teargarden, Corgan had this to say:
I’m kind of mulling that around. There’s a lot of demos that are really fairly quality at least in terms of the songs. They’re just interesting, dusky sketches. The problem with the world we live in now is everything is judged so fast so hard and is given too much power, for lack of a better word. Three months from now I would love to just reach in and toss out a couple of those demos from 2009 so people could hear some different songs, maybe some things that helped lead to Oceania. But then invariably some asshole with a blog is going to write about the new Smashing Pumpkins song and how it sucks. I’m mature enough now that I don’t really care, but at this point we’re in a positive place and maybe we just need to play a positive game. Maybe we just need to be like everybody else and shine it up real nice and bright before we put it out. We definitely want to do another album. We’re already talking about starting to do some demos in August. It’s tough. I do want to put out some of this stuff that I’m sitting on. I do want to finish the project as I sort of originally sketched out. But right now we’re riding a wave and I’m not really sure where that wave takes us.
Go over to Beatweek and read the interview in full, because it’s fascinating stuff.